Peg366's Blog

Archive for May 2010

In Mi for a few days. Will be back on Friday.

I’ve been missing in action due to computer issues. Will be up and running full force after May 24 or so.

I have been working on building my skills in regards to pitching, when I came across this in my email. Nathan’s way of putting what “Voice” is resonated with me. Be sure to sign up for this email newsletter.
Nathan Bransford – Literary Agent‏
From: noreply+feedproxy@google.com on behalf of Nathan Bransford – Literary Agent (nb@cbltd.com)
Sent: Mon 5/10/10 6:28 PM
To:  

Nathan Bransford – Literary Agent

Link to Nathan Bransford - Literary Agent

How to Craft a Great Voice

Posted: 10 May 2010 02:14 PM PDT

Voice is one of the most difficult writing terms to define and pinpoint. We might know it when we see it, but what’s voice made of, really? You hear so often that agents and editors want “new voices” and “compelling voices” and voice voice voice. So what is voice? How do you cultivate it? And how many rhetorical questions do you think can I fit into one post?

Voice, at its most basic level, is the sensibility with which an author writes. It’s a perspective, an outlook on the world, a personality and style that is recognizable even out of context. You could drop randomly into a David Sedaris story or an Ernest Hemingway novel and probably guess the author within a few paragraphs because they have strong, unique voices. An author’s voice is often imitated (think: Tolkien), but a truly original voice can never be duplicated.

So what makes a good voice? How do you cultivate one?

Among the essential elements:

Style: At its heart, voice is about style. And not just style in the sense of punctuation and how the prose looks on the page (though that can play a role), but style in the sense of a flow, a rhythm, a cadence to the writing, a vocabulary, lexicon, and slang the author is drawing upon. A voice can be wordy (William Faulkner) or it can be spare (Cormac McCarthy). It can be stylish and magical (Jeanette Winterson) or it can be wry and gritty (Elmore Leonard). It can be tied to unique locations (Toni Morrison) or it can be almost wholly invented (Anthony Burgess). But whatever the flavor of the writing, a good voice has a recognizable style.

Personality: A good voice has a personality of its own, even when the novel is written in third person. There’s an outlook that is expressed in a voice. It’s a unique way of seeing the world and choosing which details to focus on and highlight and a first draft of how the reader will process the reality of the book. Think of how CATCH-22 captured the absurdity of WW-II by boiling down irrational rules and presenting them at face value, or Stephen Colbert’s TV character, always seeing things and arguing from an invented perspective. There’s a tone to a good voice, whether it’s magical (J.K. Rowling) or slightly sinister (Roald Dahl) or hyper-aware (John Green).

Consistency: A good voice is consistent throughout a novel. It may get darker or lighter or funnier or sadder, but it doesn’t suddenly shift wildly from whimsical to GRUESOME MURDER. (Unless, of course, the voice is capable of it). A good voice is never lost when the plot shifts.

Moderation: Even the strongest voices don’t over-do it. Voices are not made up of repeated verbal tics (“You know,” “like,” “so I mean,” “I was all,” etc.) but are much more nuanced than that. They are not transcribed real-life dialogue, they give the impression of a real-life voice while remaining a unique construct.

Transportation: A good voice envelops the reader within the world of a book. It puts us in a certain frame of mind and lets us see the world through someone else’s perspective, and provides not just the details of that world but also gives a sense of the character of the world. Basically: see J.K. Rowling.

Originality: Above all, a good voice is unique and can’t be duplicated. It is also extremely contagious. And this is the hardest thing about starting off a novel: we have thousands of authors’ voices swimming around our heads, many of them quite powerful, and they are only too happy to take up residence in our current Work in Progress. But that’s okay! Don’t sweat it if it doesn’t come right away: We all have to find our voice, and one of the best ways to do that is to just write, even if what you’re starting with is derivative. You may need to keep writing until you find the voice. Just remember to revise revise revise the opening in said voice once you have it.

Authenticity: And this is the key to finding the voice: your voice is in you. It’s not you per se, but it’s made up of bits and pieces of you. It may be the expression of your sense of humor or your whimsy or your cynicism or frustration or hopes or honesty, distilled down or dialed up into a voice. We should never make the mistake as readers of equating an author with their voice, but they’re wrapped up together in a complicated and real way. We leave fingerprints all over our work. That part of you in your work is what makes it something that no one else can duplicate.

What do you think? What do you think makes for a good voice, and what are some of your favorites?

I am getting to the point in my writing career where school visits/presentations are soon going to be happening. In this presentation, I was looking for the how-to-do a  school visit aspect and what I got was a lot of fun. I found myself laughing at Speaker Mike Shoulders as I took in the info.

From personally assisting with a magic trick, to viewing pictures of Mike as a child, to clapping and rapping with my fellow attending writers, Mike Shoulders drew me in. His enthusiasm was contagious.  With a wink of the eye,  he asked questions of the crowd and used volunteers with props.

During his presentation, Mike talked his books and how they were published.

Micheal shared that he was once told that he would never be an author and that was 12 books ago. His entire presentation was based on the principle of continuing to have hope and not giving up. He explained that the journey for each author is different and that is what makes us all special.

If you want to be an author, Mike says, develop some goals, learn all you can about writing, work with a critique group and/or editor and then, realize the power of your words. Read, read, and read some more. Then, write, write and write some more. Get familiar with the works of those authors that are your idols. Go through their works and find the things that you like and use those techniques in your writing. Go to  conferences and workshops. If you see something that you like it is okay to use the technique but not the entire presentation.

Mike’s suggestions include: Use the uniqueness of your personality. Being pro-active. Blog. Guest blog on other’s blogs. Read blogs from people you admire. He added that while some people use mail-outs to solicit opportunities to do school visits, he feels that word of mouth is the biggest way that he gets a school visit.

During a conversation with Mike during a break, he talked about positioning himself around the room to make a contact with all the different people. He explained that a wink and a smile make each person in the room feel like that he is speaking directly to them. Kids and adults alike respond to that personal touch. (I can attest to that.) He said he uses props with kids, like a magic coloring book, to keep their attention. He spoke to me about the use of his voice tone to keep his audience listening. He varies the pitch, tone and voice level.

When I asked him one piece of advice he would want to give to us writers, he said,  “Believe in yourself.”

Thanks Mike, I plan on using that advice.

Dori Hillestad Butler

 What do you get when you add a sick co-presenter (Sarah Prineas went home sick) and complete and utter computer malfunction together? You get soft-spoken veteran picture book author Dori Hillestad Butler giving it her best as she shared her Skype experience with fellow SCBWI members.
The use of Skype is relatively new. During these financially tough times, it makes sense to do a “Skype” visit instead of the traditional school visit, for both the author and the school.

The author can do the visit from their home and can even include their animals in the presentation, while not incurring expenses for traveling or food, etc.   Skype for an author can be a great way to promote their work. It gets their name as well as the names of their books out there. It can be used as a part of the author’s press release kit.

The school can pay less and still have an author visit their school. It can be recorded for the school to review later. It makes long distance visits possible so even authors living far away can come to a school. One neat thing about it is that it still gives the student a chance to see the author’s face. so there is still the face-to-face feel to the visit.  It is a win-win situation

After telling a little about Skype to her audience , Dori took time to answer questions. Questions asked included: (some parts of her answers were included in this blog entry.)

1.     How often do you do Skype presentation? Sarah does more.  Dori does fewer.  

2.     How long do sessions last? Times varied from 15 minutes to 45 minutes depend on the interest of the students and the author’s own schedule. Apparently that is one thing that the author needs to spell out when doing the contract for the visit. 

3.     What type of format is used when doing a skype visit? Do you do “Questions and Answers”? The “Question and Answer” format seem to work for both Sarah and Dori. Dori shared that kids line up with their questions and then come up to the mike and ask them.

4.     How much do you charge? Neither Sarah or Dori, according to Dori, charge for their Skype visits but that would be something that each author could decide on their own. 

From my perspective using Skype is a winner as Skype is free. It is easy to download and learn how to use. I use it for visits with my relatives that live out of the state, even out of the country.

Lisa Graff, one of the speakers at the recent SCBWI conference, suggested when you are setting up your main characters in your novel, you should consider the following things.

1.     Voice

2.     Personality

3.     Goals

4.     Conflicts

5.     Ways to overcome the conflicts

6.     Emotional Arc

7.     Narrative Arc

8.     Setting

 In the WORD processing program, you click on “Tools” then on “Word Count.” That will show the number of pages, words, characters, paragraphs and lines in your article or story. But to check the reading grade level, you have to FIRST set it up in the “Options.” Click “Tools,” then click “Options,” then click the “Spelling and Grammar” tab. Put a check mark in the “Check Grammar with Spelling” check box there, and also put a check mark in the “Show Readability Statistics” check box, then click “OK” to close the box. After that, start the Spelling function in Word by clicking “Tools,” then “Spelling and Grammar” and start the spelling/grammar check process. When it finishes, it will display a box about readability, with the Flesch-Kincaid Grade Level at the bottom.


peg366


I am an aspiring picturebook writer with some magazine credits just no picture book contract yet. I know it is coming and I am more than willing to work for it.

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Twitter.com/peg366

My Favorites:

I love the children's movies Wizard of Oz and the Neverending Story. Both movies make me feel the lesson that hope is alive and well. After seeing UP this past week, it just might have a chance at being added to this list.

I love the cool colors of blues and purples.Those colors are peaceful for me.

I love The Velveteen Rabbit. Even as an adult, I still feel the urge to cry when he becomes real. I know, silly, but a good book can make me laugh and cry as it takes me on a magical journey.

Authors and Illustrators:

Authors, Author/Illustrator, Illustrators that I know and/or Like.

Catergories:

C= Children

MG= Mid Grade

T= Teen

YA= Young Adult

A= Adult

Names:

Bonnie Adamson *

Kathi Appelt *

Tedd Arnold

Avi

Natalie Babbit

Molly Bang

Bonnie Becker

Jan and Stan Berenstain

Judy Blume

Tracey M. Cox

Linda Crotta Brennan *

Jan Brett

Janie Bynum *

Eric Carle

Pam Calvert

Nancy Carlson

Beverly Cleary

Kevin Scott Collier

Sharon Creech

Doreen Cronnin

Tomie dePaulo

Kate DiCamillo

Kathleen Duey *

Dotti Enderle

Jan Fields *

Denise Fleming

Mem Fox

Kelley Milner Hall

Amy Heist

Kevin Henkes

Ellen Jackson *

Jeff Kinney

Jackie French Koller

Ursula K. LeGuin

Leo Lionni

Lois Lowry

Mercer Mayer

Robert Munsch

Laura Numeroff

Linda Sue Parks

Dav Pilkey

Patricia Polacco

Peggy Rathmann

Bethany Roberts

David Shannon

Aaron Shepard

Donna J. Shepherd *

Cynthia Leitich Smith

Jerry Spinelli

Diane Stanley

Chris Van Allsburg

Rick Walton *

Lisa Wheeler

Mo Willems

Karma Wilson *

Audrey Woods

Jane Yolen *

Favorite Websites:

http://www.institutechildrenslit.net/

http://www.cbiclubhouse.com/

http://www.scbwi.org/

http://www.underdown.org/

http://www.verlakay.com/

http://www.cynthialeitichsmith.com

Favorite Blogs:

• ShelfTalker: A Children’s Bookseller’s Blog
• Alice’s CWIM Blog
• A Fuse #8 Production
• Cynsations
• Nathan Bransford – Literary Agent
• Editorial Anonymous
• Miss Snark’s First Victim
• Writing for children and teens

Favorite Quotes.

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