Peg366's Blog

Archive for October 17th, 2009

With the holiday season getting closer, parents pull out the Christmas books. Here is one that just might work in your home. Jessica 010

10 things you might not know about Snowy’s Christmas (and win your own copy!)

5 hours ago by soupblog.

Snowy's Christmas (cover)Today I am talking to Sally Murphy and David Murphy, author and illustrator of Snowy’s Christmas (reviewed in an earlier post). We asked Sally and David to share 5 things each – things you might not already have heard about their book!

You’ll find their answers if you read on. But before you do – we have one copy of Snowy’s Christmas to give away!

If you’d like a chance to win, email editor@alphabetsoup.net.au and tell me the date that David finished the final illustration of the final draft. (Hint: he tells you below!) I’ll put all the entries in a santa hat and draw out the winning name on 25 October 2009.

Now – over to you Sally and David!

Sally:

1. Snowy’s Christmas was inspired by the story of Rudolf the Red Nosed Reindeer. I have always bought lots of Christmas books for my own children, and when I bought a new version of Rudolf, it set me thinking about how people adapt and retell stories. I started thinking about how I could retell the story in an Australian setting – and wrote the earliest draft of this story.

2. It took several years from writing Snowy’s Christmas to sending it to a publisher. After I had written the story, I was at a conference where I heard a publisher say that Australian publishers were not interested in seeing manuscripts for Christmas and other seasonal stories, because it was cheaper to import them. I believed her, and so didn’t persevere with the story (though I did once submit it to a website, which then closed down – hopefully not because I’d submitted to them).  Then, a few years ago publishers did start producing Australian Christmas stories, very successfully.  But it took for Linsay Knight, the publisher at Random House, asking if I could adapt a manuscript of mine she was interested in  for the Christmas market before I finally submitted Snowy. And boy am I glad I did.

3. I really have seen a white kangaroo – in fact several, at a wildlife park in Western Australia. You can see a  photo here: http://wwwcavershamwildlife.com.au/feed-kangaroos.html I don’t know a lot about them, but believe they are not albino, but fairly rare.

4. The book was illustrated by my brother-in-law David. Okay, you might have already known that, but did you know that it is very rare for the  author and illustrator to get to choose each other? Usually this is a decision made by the publisher. In this case, though, Linsay from Random House  actually asked me to have David do some sample illustrations when I submitted the manuscript. I had known Linsay for quite some time and she met David when she sat with us at a conference breakfast. I think maybe she liked us, or at least the novelty of a family team.  It was fun, and also special, to get to work with David.

5. The first draft of Snowy’s Christmas was about 1600 words – too long for a picture book. I did manage to cut it down to about 1000 words before I submitted it to Random House, but during the editing process we reduced it even further – it’s only about 600 words now.  Picture book texts need to be short  for young readers and often there is a lot  that can be shown in the illustrations without needing to be told in the text.

David:

1. The illustrations for Snowy were sketched entirely with my left hand using pencils. I then used my right hand to ink the line work. After that, the line art was scanned and I completed the colouring using my computer. For each illustration there were multiple sketches before the right one was found. I would have drawn each page 6–10 times.

2. Snowy’s red roo friends were based on a mob of kangaroos who live in the bushland near my house. I was particularly interested in the joeys who spent hours chasing each other around and boxing.

3. All the white boomers have names and their own stories. Sally, Kimberley (the editor) and I discussed who they were and what their personalities were. These completed their characters in my mind and allowed me to create more meaningful illustrations.

4. The very first sketch I did for the book was of Snowy and his mum. He was quite small, which made me worry if he would be strong enough to pull the sleigh, so I made him a bit bigger.

5. The final illustration for the final draft was completed on Christmas Eve!

If you want to find out more about the book, Snowy’s Christmas has its own website: http://aussiechristmas.wordpress.com/ (You can even hear David in a radio interview!)

Ginny Wiehardt’s writing has been published in journals such as the Notre Dame Review, Shenandoah, and Hotel Amerika. She has additional experience as an editor and a creative writing instructor.

ginny wiehardt

 

 

Writing in a Recession

Get Back to Basics with Your Writing

By Ginny Wiehardt, About.com

For many of us, the recession means more time: there’s less (or no) work, and less (or no) money for entertainment. Within limits, this can be a good thing for a writing practice, which in turn is a good thing for our lives. Ready to find a silver lining in the gloom and doom? Read on.

1. Establish a New Writing Schedule.

Whether your schedule has changed recently, or you just want to carve out regular time for your most important, if unpaid, work, these suggestions will help you to re-imagine your days. You might start each day’s writing session with a prompt or exercise, or you might dedicate a portion of each day to your novel. Try to write at the same time each day, if possible. A regular schedule staves off writer’s block and provides a sense of stability and well-being.

2. Take Time to Research the Market.

You may well ask, “What market?” Well, journals are still being printed, and even small publishers press on (excuse the pun). Use this time to think about where your writing might fit — and even start submitting work. In addition to taking a first step toward publishing your writing, you’re likely to discover at least a few writers whose work inspires you.

3. Or Put Publishing on Pause.

Better yet, use this time to write without thinking about publishing at all. In taking publishing off the table, we open up to other possibilities. What will we write without that distraction? Might our work be more innovative, more original as a result?

Instead of writing for the market, write purely about what interests you, no matter how strange or seemingly unmarketable it might be. Writing has always been a tough career choice: even in the best of times, authors wrote out of some intrinsic need or a deep enjoyment. Touch base with your original impulses for writing now.

4. Read More.

Even if you have a lot of time on your hands, you’ll find that you can’t realistically spend a whole day writing — no matter how good it sounds. Stay motivated with books about craft or the writing life; or learn the old-fashioned way, from classic literature.

Not only is reading one of the most enriching ways to pass your time, it’s also one of the cheapest. After you’ve tried the library, turn to Bookmooch.com to swap books with Moochers around the world, or Abebooks, for used books. And if you do have money to spend, support our indie bookstores, which are hurting now more than ever.

5. Write a Novel.

Most everybody has one novel in ‘em: you don’t have to wait for NaNoWriMo to get yours down. We’ll recover from the recession eventually, but you’ll have that accomplishment the rest of your life. And having a new project — and a fruitful new source of escape — will keep your mind off your troubles.

6. Be Inspired.

Now you have time for all those good, creative activities that fueled your imagination when you were young. Take long walks, visit museums and galleries, people-watch. If you can manage to turn off your worries about the future, you’ll find opportunities for daydreaming. This sort of unstructured time is essential to any art: it’s just that we don’t usually have the luxury of indulging it.

7. Find Community.

Volunteer for a literary organization, create a writing group, take a writing class, if you can find an affordable or free one. All of these things will get you into a community of other writers, and hopefully get you excited about writing. Communities are essential in challenging times; the value of your new support system will extend beyond your writing.

Indeed, anything you can do to focus on your passions, in this case, for literature and writing, will help you survive, if not thrive this year. While everything else may be in a downturn, you can foster a sense of forward momentum in at least one area of your life.

http://fictionwriting.about.com/bio/Ginny-Wiehardt

What word or words can a writer use when they want to make their story more descriptive without driving up the word count a writer might ask? This is particularly important when a writer has a word count limit to deal with. This is when a good thesaurus is helpful.

For instance, portly, obese, plump give the reader a different visual than just using the word fat and they don’t add any extra words to the word count.

PegFinley_picLean, lanky and emancipated  all work for versions of skinny. For action words such as walked, try using ambled, sauntered, stomped or skipped depending on the context of the story.

 

 

Read the rest of this entry »


peg366


I am an aspiring picturebook writer with some magazine credits just no picture book contract yet. I know it is coming and I am more than willing to work for it.

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My Favorites:

I love the children's movies Wizard of Oz and the Neverending Story. Both movies make me feel the lesson that hope is alive and well. After seeing UP this past week, it just might have a chance at being added to this list.

I love the cool colors of blues and purples.Those colors are peaceful for me.

I love The Velveteen Rabbit. Even as an adult, I still feel the urge to cry when he becomes real. I know, silly, but a good book can make me laugh and cry as it takes me on a magical journey.

Authors and Illustrators:

Authors, Author/Illustrator, Illustrators that I know and/or Like.

Catergories:

C= Children

MG= Mid Grade

T= Teen

YA= Young Adult

A= Adult

Names:

Bonnie Adamson *

Kathi Appelt *

Tedd Arnold

Avi

Natalie Babbit

Molly Bang

Bonnie Becker

Jan and Stan Berenstain

Judy Blume

Tracey M. Cox

Linda Crotta Brennan *

Jan Brett

Janie Bynum *

Eric Carle

Pam Calvert

Nancy Carlson

Beverly Cleary

Kevin Scott Collier

Sharon Creech

Doreen Cronnin

Tomie dePaulo

Kate DiCamillo

Kathleen Duey *

Dotti Enderle

Jan Fields *

Denise Fleming

Mem Fox

Kelley Milner Hall

Amy Heist

Kevin Henkes

Ellen Jackson *

Jeff Kinney

Jackie French Koller

Ursula K. LeGuin

Leo Lionni

Lois Lowry

Mercer Mayer

Robert Munsch

Laura Numeroff

Linda Sue Parks

Dav Pilkey

Patricia Polacco

Peggy Rathmann

Bethany Roberts

David Shannon

Aaron Shepard

Donna J. Shepherd *

Cynthia Leitich Smith

Jerry Spinelli

Diane Stanley

Chris Van Allsburg

Rick Walton *

Lisa Wheeler

Mo Willems

Karma Wilson *

Audrey Woods

Jane Yolen *

Favorite Websites:

http://www.institutechildrenslit.net/

http://www.cbiclubhouse.com/

http://www.scbwi.org/

http://www.underdown.org/

http://www.verlakay.com/

http://www.cynthialeitichsmith.com

Favorite Blogs:

• ShelfTalker: A Children’s Bookseller’s Blog
• Alice’s CWIM Blog
• A Fuse #8 Production
• Cynsations
• Nathan Bransford – Literary Agent
• Editorial Anonymous
• Miss Snark’s First Victim
• Writing for children and teens

Favorite Quotes.

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